“The people listening to the show very often would not be very well versed in, and I felt like I often had to keep justifying why we were talking about this on public radio. And check out some highlights from the discussion below. Listen to the complete interview with Rose Eveleth and Eric Molinsky in Episode 272 of Geek’s Guide to the Galaxy (above). “But I also sometimes feel like it’s more important to have a good show, and sometimes I think there’s a little bit of fetishizing nice microphones.” “I think that there is this thing in public radio where they want the most pristine sound, which makes sense if you have a big budget and you have studios and you can do that,” she says. “And I just wonder, what is the future for podcasts like mine?”īut Rose Eveleth feels that many people-particularly those who work in radio-tend to overestimate the importance of high production values. “I feel like ever since Serial came out there’s been this whole influx of really highly produced, high-quality podcasts,” says Geek’s Guide to the Galaxy host David Barr Kirtley. But is all this content going to draw listeners away from the fans-and-writers talk shows that have traditionally dominated sci-fi podcasting? Sci-fi fans are also being treated to professionally-produced audio dramas like Steal the Stars, Limetown, and The Message. “That was the first thing I remember noticing with Roman Mars and 99% Invisible, which was one of the first big podcasts, was that it sounded like public radio, but he could make it as long as he wanted, which was so liberating for a public radio producer,” Molinsky says. He was drawn to podcasting in part because of the freedom to go deep on his favorite geeky topics. Another highly-produced show is Imaginary Worlds, created by Eric Molinsky, whose long career in public radio includes work for Morning Edition and All Things Considered.
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